Folladas Con Milena Velva

The stranded wire ...

composition of flowers in stranded wire on wooden frame.

How To Defeat Faction

Thinking of Easter ...

Hen eggs emptied, washed, dried and decorated with the technique of paper quilling!

My Ankle Hurts On The Inside

E 'coffee time!

Small coffee decoupage decorated ....

Ap Biology Certification

Pumpkins! A Carnival

Here is another dried gourd decorated with decoupage ...

Free Dmv Ny Bill Of Sale For Car

PRESS CONFERENCE XIII DAY OF 'OPERATION SCURPIDDU

Tuesday, March 15 at 11 am from the centers of Ce.Se.Vo.Ca being Marinaccio 4 / d, the press conference will take place on the thirteenth day of Operation Scurpiddu Road, which will be held Sunday, March 20 2011, starting at 09:30, in Piazzetta called "the coffin" of Via Crispi.

Day Street, sponsored by the City Government and the Province of Foggia, will be carried out in collaboration with numerous organizations and social groups operating in the area.

The event will include, in addition to usual workshops in creative play for children and animation musical and artistic, the organization of a referendum Advisory, entitled "The word to the people 'with which they will be asked to vote on an issue on the regeneration and its uses same square.

Request of GAAS addition, the Departments for Social Policy and Planning of the Municipality, will take place in the socio-urban projects planned in the territory of the "Quarters eighteenth century".

During Press Conference Details available for the entire program of the event.

Anna Cecilia

How Many Calories In Bean With Ham Soup

Workshop "Foggia to the PUG: Let's idea"

next Wednesday, March 16, starting at 8:30, at the premises of the Municipal Art Gallery "Il9Cento", in Marquis De Rosa, held a workshop around some issues related the development of the General Urban Plan of Foggia, entitled "Foggia to the PUG: Let us have an idea."

Administration City started the path of Foggia PUG announcing on 18 January, the Conference copianificazione with corporations and other entities justifiably concerned (trade association business, trade unions, environmental groups etc..), called to express opinions and suggestions with the goal of affecting the municipal planning, in accordance with national and regional laws.

The Department of Planning and Housing Policy, on the basis of some experience, he asked the cooperation of the Social Cooperative "Scurpiddu" to organize the investigation of una tematica specifica: raccordare i bisogni, interpretati e rappresentati da associazioni o gruppi aventi scopi sociali o culturali, con opere e servizi pubblici da realizzare.

Il momento - rappresentato dalla copianificazione del PUG e dallo svolgimento delle conferenze di servizi sui programmi selezionati nell’ambito del bando pubblico per l’housing sociale - appare come una preziosa opportunità per condurre una sperimentazione pratica su cui verificare, a brevissimo, gli effetti.

Nella mattinata di mercoledì 16 marzo tenteremo, dunque, di selezionare un pacchetto di opere e servizi pubblici, integrando so the activity that the City Council and the Region of Puglia are doing, negotiating with private parties selected under the contract on 'social housing.

workshop will also stem from a model for the rest of the activities involved in drafting the PUG. Leading the workshop will be integrated team of professional experts in the field of participatory planning.

any association or group belonging to the third sector can therefore play roles in promoting, awareness and dissemination processes to achieve equity in the future, against citizens not affiliated to any organization. Processes must be able to plan and set urgency, priority, economic viability and administration of the works of social utility to be carried out.

The work of the day will be divided as follows:

- 08:30 am Registration of participants

- 08:50 hours and closing of the registration organization of the tables

- 09:00 am start of the work

- 10:00 am start of the laboratory

- 12:30 pm closing of the laboratory

- 13:00 on completion of the work

Given the need to organize the day's proceedings in relation to the number of associations present, it is recommended punctuality.


entire town is invited to attend.

How To Add A Name To A House Deed, Baltimore

.... Every joke that is!

mask made with the technique of Biedermeier.

Motion Sensor Paper Towel Dispenser How Work

ORGANIZATIONAL MEETING SUMMARY III XIII DAY STREET OPERATION SCURPIDDU "

at the third organizational meeting the thirteenth day of road of the 'Operation Scurpiddu "held Thursday, March 3, 2011, representatives of the Associations for Health, Music & Color, FAI, ACLI, Kite, Emergency and Captain Future. He also joined the initiative 'Association Auser of Foggia.

The President of GAAS explained to participants that as a result of the letter sent to the Mayor, Deputy Mayor and Alderman of Public Works, on behalf of the member associations for the day, the First Citizen of Foggia has given consent popular referendum through which citizens seek to preserve landscaping of the square of the Bara and its benches, an alternative hypothesis of total floor space with removal of flower beds and benches, as already determined. The Mayor has nonetheless made clear that, given the current laws and time constraints for implementing the day, we should wait on the possible proposal of the Associations to create a mini playground.

If the referendum were to address the choice tunes on the Conservation of green, you may proceed with the same temporary adoption by residents and young perpetrators of acts of vandalism perpetrated in the square. In that regard, take the word Mrs. Pina Pitta, a member of the Association for Health, which proposes to require institutions to identify a possible symbolic ceremony where the boys, one year hence, should be able to successfully take care of the square. He also arranged to contact the boys to explain their intentions into action and involve them in drawing up a banner commemorating their friend Frank Cannon, brutally murdered on the morning of February 20, 2011.

Associations have finally reached an agreement to bring each on the basis of its ability, a gazebo and tables for the implementation of activities planned throughout the day and for the promotion of their purposes social, and organize Ce.Se.Vo.Ca at the press conference to promote the initiative, at a date to be determined.

At the end of the meeting the President of GAAS member associations are invited to send as soon as the logo in jpg format, to be included in flyers and posters, which will be implemented by Ce.Se.Vo.Ca.

The participants have agreed to meet again the week before the Day of Road scheduled for March 20, 2011, to define the final details of organization.

You can still, by each member association, send e-mail address of the GAAS any proposal would contribute to the success of the event, the GAAS will spread.

In view of timing and deadlines, all associations are invited to take part in the last organizational meeting set for the day March 14, 2011 at 18:30 at the headquarters of GAAS in via Meridiana 58.

Action Group Animation and Social

Avocado Tree Dying, What To Do

Summary According to the thirteenth day organizational meeting of the Street' Operation Scurpiddu"

On February 24, 2011, at the headquarters of the GAAS, was held on the second organizational meeting of the thirteenth day of Operation Road Scurpiddu.

Present at the meeting the representatives of the Associations for Health, Fai, and Emergency One future project. Do not submit to personal commitments already members of other associations which have joined the association LIPU - Italian League for Bird, the animal rights association Rambo POCS and the Association of Barcelona.

The President of GAAS informed participants that the Provincial Authority has granted the sponsorship initiative and that, on the basis of shared information that emerged from the first organizational meeting, was presented a formal request to the City of Foggia (Mayor, Deputy Mayor, Jobs Public) to propose an alternative to the existing executive determines the restructuring of the square, with a budget amounting to € 4,001.00. This includes determining, by the Public Works, the complete removal of the "Coffin", the remaining small flower beds and benches, and the total floor space.

The alternative proposed by GAAS and the member associations is summarized in the creation of a symbolic referendum to ask people with whom the residents to choose between the proposal determined by the Public Works and the prospect of maintaining green areas and benches. ;

If the referendum were to reward the alternative proposed by the associations, they, along with resident volunteers, we will remove the coffin and the earth and it contains the junction of plants with colorful flowers to decorate the remaining hexagonal flowerbed flowerbeds and small outline .

With the money saved, remaining within the limits determined by the City of € 4,000 may be purchased two or three games that would go to build a mini playground for children from 0 to 3 years.

Children participate in the referendum through a form of preference made by a drawing to choose whether to redesign the "Coffin" park or the mini-games.

The proposal also reaffirms the intention of empowering the perpetrators of acts of vandalism perpetrated in the square through a symbolic adoption of space, which preserves the care and maintenance.

Obviously we await answers from the Mayor regarding the possibility to proceed under the guidelines set forth.

addition to activities already decided in the first meeting, it was decided to involve the friends of the boy killed the night of Saturday, February 19, Francis Cannon, who lives in District eighteenth century, to create a banner in his memory.

To Regarding the decision to create a mural on the walls of the buildings bordering the square by the Artistic Group Ecstrarte, discussions about the difficulties mainly dictated by the times require permits and licenses to the owners of the wall is almost never present, both the City given the constraints dictated by the laws on urban historic centers. It should be added that the cancellation of already written in the past made by the children, could be viewed by them as an act of injustice to their work. For these reasons, related to the principles of legality by which the GAAS will not matter, it was decided to postpone any action so I thought. Ecstrarte, then, as proposed inizialmente, realizzerà un’estemporanea d’arte interattiva con ritratti dei partecipanti.

Relativamente all’animazione musicale, che verrà curata dall’Associazione Music&Color, si è provveduto a chiedere ad un residente della piazza un temporaneo allaccio di corrente per l’attacco di un piccolo amplificatore ed una piccola console.

Al termine di una breve discussione sugli argomenti, l’incontro viene aggiornato a Giovedì 3 Marzo 2011 alle ore 19:30 presso la sede del G.A.A.S. in via Meridiana 58 .

Il Gruppo di Azione e Animazione Sociale

What Liquids Can You Put In A Camelbak

Summary First organizational meeting of the thirteenth day of Road 'Operation Scurpiddu "Taste of Africa

Il primo incontro organizzativo della XIII Giornata di Strada dell' "Operazione Scurpiddu" ( prevista per Domenica 20 Marzo 2011), tenutosi Giovedì 17 Febbraio alle ore 19:30 presso la sede del G.A.A.S., ha visto la partecipazione dei rappresentanti delle associazioni Libera, Music & Color, Ecstrarte, FAI e Alla Salute. Assenti per motivi personali ma disponibili alla collaborazione le Associazioni Fratelli della Stazione, Clan Destino, Logos, Arci Bellamì, Cerchio di Gesso, Teatro dei Limoni, Capitanata Futura, l’Aquilone, V.A.S., Arci Bellamì, ACLI e Progetto Futuro Uno. Altre realtà associative dovrebbero manifestare nei prossimi giorni la propria eventual membership. To open the meeting the President of GAAS Welcome Grillo, which summarizes the objectives of the present event, which will be implemented in Piazzetta di Via Crispi called "The Coffin" was recently vandalized by unknown assailants and will see the participation of the City that will socialize with the citizens of all projects relating to Social, Civic and Cultural District regarding the eighteenth of Foggia. Specifically, the City's planning department, Social Politics and Culture of the Municipality of Foggia take place in information materials concerning respectively the case of regeneration Compiled for the Urban Districts of eighteenth-century social projects relating to the Day Centre for Children and the Center for Civil and Criminal Mediation which will be implemented in the headquarters of the former District of Frascolla Street Gym and ex-GIL Via Matteotti 900, and the Art Gallery Public Relations Office suite.

The event is also sponsored by the Province of Foggia.

The President of GAAS inform the public that the thirteenth day of road you want to start a consultation with residents over the possibility of restructuring of the "Square of the coffin" for which the city of Foggia has recently allocated the sum of 4,000 €. GAAS undertake a workshop with the children, from the photos of so-called "Piazza Tavuto, thus adjusted so as to replace the" coffin "with a blank space will allow them to express with a design that you wish you were in his place. Adults, however, will be called to express their own opinions through a symbolic referendum in which to choose whether to restore the square as it was or what to delete from the residents themselves is called "tavuto" and never has been the object of aesthetic appreciation -urban. The ultimate goal, specific Welcome Grillo, could be represented by a case of adoption of the property by the same guys responsible for the act destructively. Assigning responsibility, then, rather than punish them, as suggested by Antonio Vigilante, a member of the Friends of Sunday, but no more than willing to contribute to the Day Street.

representative took the floor of the Cultural Music & Color, who announced to those present will animate the street with the thirteenth day of the exhibition in the square of their group, which will serve as background music to activities of social activity.

Association Health, the Italian Environment Fund and the Group Artistic Ecstrarte confirm their full willingness to cooperate in the success of the event, providing their volunteer resources. Specifically, the representative of Ecstrarte proposes the creation of an extemporaneous art on the streets focused on portraits of passers-by and the views of the square. The GAAS Association suggests the creation of a mural "participate" with the boys, as a sign of identity to be left on the walls of the square "anonymous."

We agree with the need to request permission from the competent bodies for its development.

There being no other up to discuss this should refer to the second organizational meeting of the thirteenth day of road that will take place Thursday, February 24, 2011 at 19:30 at the headquarters of GAAS in via Meridiana 58.

Action Group Animation and Social

Healing Time After Freezing Genital Wart

Ode Theatre

Each place has its own tale. And every story still holds it own colors, sounds, scents and traditions of the country of origin.

In country after country in the history of history, taste in taste, the fourth of six monthly appointments " Merenda theater - endless, Stories", a series of tales from different parts of the world , led us in Africa, in the so called, inappropriately, " Dark Continent, land of warm colors and bright red and orange sunsets. Africa " fair as the moon and joyful as the sun ," just as Kumba, the Senegalese protagonist of the story "Who will marry Kumba? " messa in scena Sabato 19 Febbraio all’ Oda Teatr o dagli attori della Compagnia Teatrale “ Cerchio di Gesso ”. 

Come di consueto i bambini, accompagnati da nonni e genitori, sono stati accolti all’interno di uno spazio ludico allestito all’ingresso dell’Oda Teatro, nel quale hanno potuto disegnare, colorare e familiarizzare con i libri, in attesa dell’arrivo del simpatico “ professore ” dallo strano accento straniero.

Dopo una breve presentazione del continente di provenienza della favola, attraverso immagini rappresentative della cultura africana, lo spettacolo ha avuto inizio. Tutti giù per terra,  intorno al palco, catapultati dentro la rovente atmosfera del “ continente dai mille color i”, per un emozionate assaggio letterario dell’Africa.

“ Tanto tempo fa tre amici vivevano nello stesso villaggio e amavano lo stessa ragazza…. “

I bambini, trasportati dal vortice tribale di parole e musica, hanno seguito la danza dei corpi e delle voci narranti, lenta e cadenzata, con grande attenzione e rispettoso silenzio, presto tramutatosi in allegro chiacchiericcio dinanzi al tavolo delle merende. Le stories, if well-narrated, open your mind but also the stomach. And Africa deserves to be tasted and praised for its spicy flavors and aromas.

After the audience the story of Hate Theatre has been invited to approach the " snack table, laid for the occasion with traditional African craft products: statues and wooden masks, musical instruments, clothing, textiles and cheerful ethnic cadres.

well as a sweet snack of bread and nutella and fruit juice, small-audience diners with their parents, have enjoyed a typical sweet Senegal made with cous cous and fruit pieces.

Finally, with a full belly, the children have made some small artifacts inspired by the traditions of the country in the laboratory of the story in creative play edited by ' GAAS Association and the Cooperative Scurpiddu that, using materials readily available in home-like styrofoam cups, rubber bands, latex gloves and foil, led children and parents in building a small djembè , tipico tamburo a calice originario dell’Africa Occidentale, collocato come di consueto all’interno dei pannelli scenografici, raffiguranti paesaggi africani, realizzati dalle atelieriste del G.A.A.S. con materiali di scarto e di uso quotidiano. 

Il prossimo viaggio letterario e culinario attraverso le favole del mondo ci condurrà in Sud America con la Favola “ Il sale e lo zucchero ” ( Perù ). 

We look forward to Saturday, 26 March 2011 at 17.30 hours, at the Oda Theatre.

Anna Cecilia

Vowrenewal Cake Design

first organizational meeting" XIII Day Road "Operation Scurpiddu

Sunday March 20 GAAS 2011 the organize the XIII Day Street of 'Operation Scurpiddu .

Day will be implemented in the Piazzetta di Via Crispi called "The Bara " recently vandalized by unknown assailants.

occasion, the government will invited to mingle with locals all the projects of social, urban and cultural districts that cover the eighteenth of Foggia.

The GAAS, as a practice, will conduct workshops in creative play for children, and seek to develop ideas aimed at the Civic Participation of adults in relation to the institutional activities that affect them.

The idea that we want to promote is to enter into consultation with the residents with respect to cases of reconstruction of the "Square of Bara" destroyed recently.

The first organizational meeting will be held on the Day at the headquarters of GAAS, in Meridiana 58 Thursday, February 17, 2011, at 19:30.

All associations are invited to participate and distribute the contents of this communication.

Each association will have a space to promote their activities and can contribute, through suggestions and proposals to realize the event.

you there!

Action Group Animation and Social

Cheerokee Filmography

Robert Brandom revives Le bon Dieu est

Animating Ideas of Idealism:
A Semantic Sonata in Kant and Hegel

Lecture One

Norms, Selves, and Concepts

1. In these lectures I consider some of the ideas that animated the philosophical tradition, anchored and epitomized by Kant and Hegel, which they called ‘idealism.’ My aim is to reanimate some of those ideas, breathing new life into them by exhibiting a new perspective from which they show up as worthy of our interest and attention today. I do that by retrospectively rationally reconstructing a coherent, cumulative trajectory of thought, carving it out of the context in which it is embedded, ruthlessly ignoring elements near and dear to Kant and Hegel that are not essential to the line of thought on which I am focusing. This will seem to some a perverse sort of enterprise. At the end of my third and final lecture I assemble conceptual raw materials drawn from all three lectures, in order to address the methodological issue of how to think about the nature, justification, and possible value of this sort of undertaking.

2. At the heart of Descartes’ innovations in epistemology and the philosophy of mind lies a revolutionary semantic idea. He saw that the rising new science required giving up the old ways of thinking about the relations between appearance and reality. Since the Greeks, the idea had been that, at least when things go well, the way things appear to us resembles the way they really are. Resemblance in this sense is a matter of sharing properties (or some more general sort of form), as a realistic picture shares some elements of shape and perhaps color with what it pictures. But on Copernicus’s account, the reality behind the appearance of a stationary Earth and a revolving Sun is a rotating Earth and stationary Sun. No resemblance there. And Galileo’s reading of what he calls the “book of nature, written in the language of mathematics” finds the best way of getting a grip on the reality of motion to be by manipulating geometrical appearances, in which a period of time shows up as the length of a line, and acceleration as the area of triangle. The category of resemblance is of little help in understanding the connections that are being exploited. And in Descartes’ own algebraized geometry, the equations of lines and circles do not at all resemble the geometrical figures about which they let us reason so effectively. Descartes sees that a more abstract notion of representation is needed. We’ve been worrying about it ever since.
[….]
3. Where Descartes’ semantic concerns center on the nature of representational success, Kant addresses more fundamental questions about the nature of representational purport. What is it, he wants to know, for our ideas so much as to seem to be about something? What is it for us to take or treat them as, for them to show up to us as, representings, in the sense of something that answers for its correctness to what thereby counts as being represented? This issue is the core around which cluster the other elements of Kant’s concern with what he calls “objectivity.” The line of thought he develops to answer these questions begins with the identification of a critical shortcoming of the account of judgment he inherited. That account finds its place as part of the traditional classificatory theory of consciousness. This is the idea that to be aware of something is to take it as something: paradigmatically, to classify something particular as being of some general kind. In its form as a theory of judgment, it becomes the view that judging is predicating one concept of another: putting two concepts into a relation, marked by a copula, whose paradigm once again is bringing a particular concept under a general one, or subordinating a less general to a more general one.

In a radical break with the whole of the logical tradition he inherited, Kant rejects this way of thinking about judgment. The reason he gives is that it does not apply to logically compound judgments:
I have never been able to accept the interpretation which logicians give of judgment in general. It is, they declare, the representation of a relation between two concepts…(W)hat is defective in this interpretation…(is) that it applies only to categorical, not to hypothetical and disjunctive judgments (the two latter containing a relation not of concepts but of judgments), an oversight from which many troublesome consequences have followed. [CPR B140-1]
It will be instructive to fill in some of those “troublesome consequences.” The same logical tradition distinguishes between mental acts and their contents—that is, between the two sides of what Sellars calls the “notorious ‘ing’/‘ed’ ambiguity,” which affects concepts such as judgment, representation, experience, and perception—between what one is doing in judging, representing, experiencing, or perceiving, on the one hand, and what is judged, represented, experienced, or perceived, on the other.

4. For this reason, Kant could not take over the traditional classificatory theory of consciousness, which depends on understanding judging as predicating. But what can go in its place? Here is perhaps Kant’s deepest and most original idea, the axis around which I see all of his thought as revolving. What distinguishes judging and intentional doing from the activities of non-sapient creatures is not that they involve some special sort of mental processes, but that they are things knowers and agents are in a distinctive way responsible for. Judging and acting involve commitments. They are endorsements, exercises of authority. Responsibility, commitment, endorsement, authority—these are all normative notions. Judgments and actions make knowers and agents liable to characteristic kinds of normative assessment. Kant’s most basic idea is that minded creatures are to be distinguished from un-minded ones not by a matter-of-fact ontological distinction (the presence of mind-stuff), but by a normative deontological one. This is his normative characterization of the mental.

Drawing on a jurisprudential tradition that includes Grotius, Pufendorf, and Crusius, Kant talks about norms in the form of rules. Judging and acting—endorsing claims and maxims, committing ourselves as to what is or shall be true—is binding ourselves by norms. It is making ourselves subject to assessment according to rules that articulate the contents of those commitments. Those norms, those rules, he calls ‘concepts’. In a strict sense, all a Kantian subject can do is apply concepts, either theoretically, in judging, or practically, in acting. Discursive, that is to say, concept-mongering creatures, are normative creatures—creatures who live, and move, and have their being in a normative space.

It follows that the most urgent philosophical task is to understand the nature of this normativity, the bindingness or validity (Verbindlichkeit, Gültigkeit) of conceptual norms. For Descartes, the question was how to think about our grip on our concepts, thoughts, or ideas (Is it clear? Is it distinct?). For Kant the question is rather how to understand their grip on us: the conditions of the intelligibility of our being bound by conceptual norms.

END

Hollow Eyes Makeup Tips

third edition of" Snacks Theatre "and the Goat Kids

" There once was a goat with three kids. The first two were bad and rude. The third one was good and good. As they say: The hand has five fingers and no two fingers equal .

This is the incipit of the Romanian fable " The goat and three kids " (Capra cu Trei Iezi - Editions Carthusian) staged Saturday, January 22, 2010 to ' Oda Theatre by Theatre Company " Circle of Chalk."

Despite the bad weather, the third of six events of " snacks at the theater - endless stories " was attended by many families that have been accepted by a cute Russian professor, who described to those present images representative of Romania, the land of Dracula and vampires in the collective, but also a land rich in history, contrasts and pristine natural.

For the occasion, the theater was decorated with typical clothes and Romania, making the 'atmosphere even more fabulous.

Between games of lights, nursery rhymes and music in language suggestive of the children, along with three kids, met Wolf, universal and undisputed protagonist of many stories from different countries of the world. Between emotion and twists in the growing fear is then dissolved in cathartic final, which was followed by a tasty snack to satisfy the Italian-Romanian " famished " of children.

As usual, after the happy snack, the children were busy with the creative laboratory " Mondolandia: The world inside a book " to care of ' GAAS Association. and Cooperative Scurpiddu, building small artifacts representative of the country narrated.

Questa volta i bambini, insieme alle mamme ed ai papà, hanno realizzato dei piccoli e simpatici pipistrelli che hanno fatto poi “volare” all’interno di una scenografia incantata, popolata di castelli, ragnatele e montagne innevate.

Il prossimo appuntamento, previsto per Sabato 19 Febbraio 2010 , a partire dalle ore 17,30, ci condurrà in Senegal con la favola “ Chi sposerà Kumba?” (Centro Africa) .

Anna la Cecilia


Qui di seguito il video dell'appuntamento di Merende a teatro di Sabato 22 Gennaio, visibile sul sito del Cerchio di Gesso

Stomach Virus Bad Farts

Foggia: The city suspended between past and future. Closed excavations in Piazza De Santis

I-pog, the large cube speaker who has linked to two months the city above the city below, Tuesday, December 28, 2010 has turned off the spotlight by last light on the " Memory lost and memory regained . This is the title of the project for the excavation of hypogeum Piazza De Santis, sponsored by the "Consortium Head Down" and financed by the "Fondazione Banca del Monte " of Foggia, which saw the spin off the University of Foggia " Archaeological "work with" upside down, "from November 4 to December 20, to find the rooms below the cathedral.

" A project that will have a follow ", as pointed out by Francis Andretta, President of "Fondazione Banca del Monte " during the closing meeting of the excavation, and start again from its discovery, which was found during the investigation, a compartment that could lead to the main entrance ipogeico hypogeum.

under layers and layers of earth to a subterranean level above 8 feet from the road surface, excavation led to the identification of two hypogean environments due to a well dating back to 700/800 and a pit of wheat, whose date might be even before the eighteenth century, probably from medieval times, as specified by Giuliano Volpe, Rector of the University of Foggia.

The presence of various waste and scrap materials is a hopeful sign that the environment, in his last period of use, has been used as a dump. More detailed information on nutrition and lifestyle of our ancestors will be given to us as a result of studies on archaeological finds, most animal bones, fish bones and ceramic utensils.

This was a first real action of "urban archeology " made in the heart of the city of Foggia, innovative and experimental project, especially in its mode of participation.

The "Cooperative Scurpiddu " founding member of the "Consortium head down " , oversaw aspects of social communication and involvement citizenship through the development of a social survey questionnaire, distributed directly from the trading activities of the center. As reported by Welcome Grillo, President of the Cooperative, " the 3000 questionnaires distributed to schools, residents and merchants of the historic center have been completed and returned 304 . Therefore, it exceeded 10% interest, is important in light of the disturbing " cultural apathy" that too often characterizes the territory dauno. Do not underestimate also the data concerning the first question on the degree of knowledge received on the occurrence of Foggia subterranean environments. The 22.03% answered "not at all " , the 58.55% answered "very ," 17.1% " enough" and only 2.3% " very .

Since the latter is even more worrying when one considers that the social survey was conducted in schools that serve their own activities and the old town, full of tombs. The Consortium also with the support of the "Fog Production Video ” di Sergio Grillo , ha realizzato un video documentario, proiettato nel corso della serata in Piazza De Santis in cui, oltre alla  documentazione costante degli scavi da parte degli archeologi e speleologi, sono state raccolte testimonianze ed aneddoti dei cittadini legate alla “ memoria degli ipogei ”.

Quella memoria che, in silenzio, chiama dalle viscere della terra e chiede di essere ritrovata.

Perché, come espresso da uno dei tanti cittadini ascoltati,“ la città è nostra. E siamo noi che dobbiamo riscoprirla .”


Below is the trailer of the documentary " Memory lost, memory regained " produced by Sergio Grillo - Fog Video Production

Anna Cecilia

Does Having A Remote Starter Cause Problems

Ce.Se.Vo.Ca.: Project “Racconta il Volontariato con una Video Intervista”

the 8th of July the European Parliament approved, with 416 signatures of members of the Assembly, a recommendation which requires the European Commission to formally declare 2011 "European Year of Volunteering An no .

In line with the objectives of the European Voluntary Service, including the recognition of voluntary activities, strengthening of organizations through the provision of new energy and increased awareness of the value of volunteering in a society that is becoming increasingly multicultural, the Ce.Se. Vo.C a - Centre for Voluntary Service of captains - has created a series of promotional initiatives of local volunteers including: interactive map of volunteering, the project " Tell us about volunteering with a video interview "Spot and entitled" Volunteering ... you can be too .

latter, visible on the site of Ce.Se.Vo.Ca and broadcast by local TV stations ((Telefoggia, Teleradioerre, Teleblu, Teledaunia, Teleradio Padre Pio, Telecattolica, Teleradio San Severo), starring presidents, beneficiaries and voluntary associations of a sample of Foggia (Association of Microcitemico captains, CHALLENGE, brothers of the Station, San Gaspar, AISW, GAAS, Noos, Aido, Genevieve De Troy, The eye, Alittihad).

Spot Ce.Se.Vo.Ca. from Ce.Se.Vo.Ca. on Vimeo .

The spot was created under the Project referred to above (" Volunteer Tell a Video Interview with" ), which aims to spread through the media and new technologies, activities, hopes and difficulties experienced by voluntary associations of captains, while keeping alive the memory and identity with an archive of original testimonies.

audiovisual products made can be viewed in the "Volunteer Tell a Video Interview "on the homepage of the site and within Ce.Se.Vo.Ca. factsheets that form the new " Map volunteer captains."

Below the Video Interview 's GAAS Association.

GAAS from Ce.Se.Vo.Ca. on Vimeo .

Anna Cecilia

Patch Of Small Bumps On Stomach

NATALE IN CASA PARISI...PER L'EUROPA

The First Circle Learning Nicola Parisi opened the doors to families and to the territory to demonstrate their offerings.

"Parisi Christmas at home .... for Europe" is the symbolic title of a great celebration to be held in the schoolyard Sunday, December 19, 2010 from 09:30 to 20:00.

rich and articulated program of the day.

to do the honors will be the Headmaster Dr. Alfonso Rago parents who will present the project activities implemented by the Integrated Plan of the Institute under the Operational Program 2007-2013 National (PON) - Convergence Objective - financed by the European Social Fund.

Specifically we will cover the following training PON-FSE:

- "Euro ... Paideia: laboratories in counterpoint", a project divided into four training workshops to stimulate children to the pleasure of learning

- "From the Declaration of Human Services board " project aimed at teaching and developing skills for ATA sulla gestione amministrativo-contabile e di controllo e sulle procedure di acquisizione di beni e servizi

-“ Informatica, didattica e dintorni ”, i nterventi formativi rivolti ai docenti e al personale della scuola, sulle nuove tecnologie della comunicazione .

A partire dalle ore 10:00, presso la Sala Polifunzionale, seguirà la mostra dei lavori dei bambini e la vendita di dolciumi natalizi locali e stranieri , di manufatti artigianali ed oggetti di ceramica realizzati nell’ambito del progetto PON “ art from simple materials ... ", whose proceeds will be donated to charity.

The morning continued with the opening ceremony of the laboratories carried out with funding from the European Regional Development Fund (ERDF) - Music - Science - Computer Science. Occasion will be presented the work of training PON " Einstein Universe engineer."

at 11:00 am at the school gym, will take place the visual representation of the training PON " puppets teach enus renewable : Sun can save " followed by the parade of puppets.

During the morning the operators of the Association GAAS and Cooperative Scurpiddu will attend a banquet to give more detailed information to parents on the door Listening and Mediation School, sponsored experimentally by the first Didactic N. Parisi, part of the "School AMICA . ", Now in its second anno.

Verrà inoltre distribuita l’edizione straordinaria del giornalino scolastico “ Il Gessetto colorato ”.

Dopo una breve pausa la festa riprenderà nel pomeriggio, a partire dalle ore 16:00, nel cortile della scuola, con la manifestazione finale del percorso formativo PON “ Danze e balli da tutto il mondo ”, cui farà seguito il Concerto dell’Ensamble chitarristico della Scuola Secondaria di I° grado “PIO XII”, diretto dalla prof.ssa Ivana D’Alessandro.

At the end of the day, at 18:30, the choir will perform "The cantanote of Parisi " directed by the INS. Nadia Scotellaro.

not miss the final surprise. ... To wish everyone a happy and unforgettable "Christmas at Parisi.

Anna Cecilia

Plans For Mudroom Bench

..... more ....

Composition in shades of yellow ...

Glisten Dishwasher Cleaner Dealers

Kant dans le détail.

“Cosa avrebbe da fare il discorso se le cose apparissero già da sole e non avessero bisogno del discorso?" . Tre domande generali :

Da una nota di Umberto Eco su Aristotele (e il suo commentatore Aubenque): “In Poetica 1476b 7 (nota Aubenque) si dice: “Cosa avrebbe da fare il discorso se le cose apparissero già da sole e non avessero bisogno del discorso?. Aubenque (1962: 116) cita una pagina degli Elenchi . Poiché non si possono portare nella discussione le cose stesse,ma dobbiamo servirci dei loro nomi come di simboli, noi supponiamo che ciò che avviene nei nomi avvenga anche nelle cose, come del caso dei sassolini che si usano per contare. Ma tra nomi e cose non vi è completa rassomiglianza, i nomi sono in numero limitato, e così la pluralità delle definizioni, mentre le cose sono infinite in numero (e infiniti sono i loro accidenti)” ( Kant e L'ornitorinco , n. 10 p. 390)

1) Bordeaux , Granata , Rosso Geranio , Rosso Cadmio , Rosso Tiziano , Borgogna , Carminio , Sangria , Ruggine , Mattone , Rosso cardinale , Rosso Veneziano , Rosso di Persia , Terra cotta , Castagno , Ciliegia , Corallo , Melograno , Rosso Scarlatto , Vermiglione etc…. Posso percepire tutte le sfumature del rosso se non padroneggio questi concetti? (Per una considerazione del rapporto tra linguaggio e cose, dal punto di vista del dibattito tra filosofi della scienza, vedi il vecchio post )

2) Che relationship between the vocabulary that I learn to use during the course of painting, and my ability to observe certain shades of color in the things around me? And - to be fashionable - among the words that I learn (very hard) to use during the course of the sommelier and acquiring complementary capabilities (with similar efforts) to discern the nuances of flavor for my taste experience?

3) What role does my education (the development of perceptual skills and extension of my vocabulary) into the processes by which they perceive events (not just perception, the question also applies to the political and historical, but it is more convenient from base case)?


Towards a theory of gradient . (De Lillo Vs Calvin, Episode II. Select dialogue)

"January 11, 1955

Sometimes I think the education here is better suited to dispense a fifty that he understood that he missed the target on the first lap. Too many ideas abstract. eternal verities left and right. You need to look more and appoint a shoe parties. To you in particular, Shay, saw where you came from.
This seemed to revive him. He leaned over the desk and stared at him, literally, my wet boots.
- objects are horrible, right?
- Yes, no doubt.
- Nominami parties. Courage. Here we are not so ricercati, non siamo così intellettualmente chic da non poter esaminare uno studente faccia a faccia.
– Nominare le parti, – dissi. – D’accordo. Stringhe.
– Stringhe. Una su ogni scarpa. Procedi.
Alzai un piede e lo girai goffamente.
– Suola e tacco.
– Sì, continua.
Posai di nuovo il piede a terra e fissai lo stivale, che mi parve inespressivo quanto uno scatolone chiuso.
– Procedi, ragazzo.
– Non c’è molto da nominare, le pare? Un davanti e un dietro.
– Un davanti e un dietro. Mi fai venire voglia di piangere.
– La parte arrotondata sul davanti.
– Sei talmente eloquente che I have to take a break to recover. You mentioned strings. What do you call the flap under the strings?
- Tongue.
- Be '?
- The name I knew, only that I had not seen.
Father Paulus did his little number, throwing a dead body on the desk and wincing slightly as if in the grip of a terrible anxiety.
- You did not see because you can not watch. And do not you watch because you do not know their names.
shaking his head as if to reproach me bitterly, with a theatrical gesture, and drew back from the desk, dropping his swivel chair and look again before making a quarter turn and decided to lift the right leg quel tanto che bastava perché il piede, o meglio la scarpa, trovasse una sistemazione sul bordo della scrivania, punta all’insù. Una normalissima scarpa da prete nera.
– D’accordo, – disse. – Suola e tacco li conosciamo.
– Sì.
– E abbiamo identificato la linguetta e le stringhe.
– Sì, – dissi.
Delineò con il dito una striscia di pelle che attraversava il bordo superiore della scarpa e scendeva sotto la stringa.
– Cos’è? – chiesi io.
– Dimmelo tu. Cos’è?
– Non lo so.
– È il risvolto.
– Il risvolto.
– Il risvolto. And this rigid section over the heel. This is the reinforcement.
- This piece in between the flap and the strip above the sole. This is the back.
- The back - repeated.
- And the strip above the sole. What is the voyeur.
Say that again, boy. - The Peeping Tom.
- You see, as things are hidden in every day? Why we do not know their names. And the frontal area that covers the neck of the shoe's name?
- I do not know.
- I do not know. It is called the upper.
- Upper.
- Repeat.
- Upper. The front of the shoe that covers the neck. I thought of not having to learn things by heart.
- These are the ideas that you do not have to memorize. And do not take ourselves too seriously when their noses in front to learning by rote. The repetition helps to build a memory man. And the string you pass through what?
- This I know.
- Sure you do. The holes on both sides and above the tab.
- I can not think of the word. Eye.
- Maybe I'll let you live after all.
- The eyelets.
- Yes, and the metallic coating on each end of the string?
tapped the object in question with the middle finger.
- That I do not know neanche tra un milione di anni.
– L’aghetto.
– Neanche tra un milione di anni.
– Il puntale o aghetto.
– L’aghetto, – ripetei.
– E il piccolo anello di metallo che rinforza il bordo dell’occhiello attraverso cui passa l’aghetto. Stiamo facendo la fisica del linguaggio, Shay.
– L’anellino.
– Lo vedi?
– Sì.
– Questa è la guarnizione, – disse.
– Oddio, ragazzi.
– La guarnizione. Imparala, conoscila e amala.
– Sto andando fuori di testa.
– Questa è la conoscenza arcana definitiva. E quando porto la scarpa dal calzolaio e lui la mette su una forma per fare le riparazioni, un blocco di legno a forma di piede. Come si chiama?
– Non lo so.
– Si chiama semplicemente forma da scarpa.
– Mi si sta spaccando la testa.
– Le cose di ogni giorno rappresentano la conoscenza più trascurata. Questi nomi sono vitali per il tuo progresso. Cose quotidiane. Se non fossero importanti, non useremmo una parola così splendida di derivazione latina. Ripetila, – mi intimò.
– Quotidiano.

(…)
Mi oltrepassò con lo sguardo, facendo un ragionevole cenno d’assenso, e io mi girai per andarmene. Per un po’ camminai avanti e indietro attraversando la piazza nella tempesta di neve. Poi tornai nella mia stanza e mi liberai del giubbotto. Volevo cercare le parole sul dizionario. Mi tolsi gli stivali e lanciai il berretto sul lavandino. Volevo cercare le parole. Volevo cercare velleità e quotidiano e impararle a memoria, queste stronze di parole, una volta per sempre, impararne l’ortografia, la pronuncia, ripeterle ad alta voce, sillaba per sillaba – vocalizzare, produrre suoni vocali, emettere suoni, pronunciare le parole per quello che valevano. Questo è l’unico modo al mondo di sfuggire alle cose che hanno fatto di te quello che sei.

Underworld, Frammenti degli anni ’50 e ’60, pp. 576 – 580 .

----------------------------------------------------------------------------

Dettagli del calzolaio, dettagli del falegname.

La terza lezione americana di Calvino è dedicata al valore dell' Esattezza , di cui all’inizio lo scrittore definisce 3 significati. Il terzo significato (della terza lezione) è l'accezione che mi interessa “un linguaggio il più preciso possibile come lessico e come resa delle sfumature del pensiero e dell’immaginazione”. A tal proposito Calvino riprende un dialogo dalle Città invisibili in cui Kublai Kahn gioca a scacchi with Marco Polo and compare his achievements to the moves of a winning game.

"The final conclusion which led him this - Calvino writes - is that the object of his achievements is nothing but the piece of wood on which each piece sits a symbol of anything ...
But at that moment is a twist: Marco Polo calls the Great Khan to better observe what seems to be nothing

'Now Kublai Khan no longer had to send Marco Polo on distant expeditions: kept him playing endless games of chess. The knowledge of the empire was hidden in the design traced by the sharp jump of the horse, the gates that open to the diagonal alpha raids, and guarded by the shuffling of the king and the humble pawn, by the inexorable alternative for each game. The Great Khan tried to identify myself in the game, but now it was because of the game to escape. The end of each match is a win or a loss, but of what? What was the real issue? At checkmate, beneath the foot of the king blown away by the hand of the winner, it remains nothing: a square black or white. A force to separate his conquests to reduce them to the essence, Kublai had arrived at the extreme operation: the definitive conquest, of which the empire's multiform treasures were only illusory envelopes, was reduced to a piece of wood veneer.

Then Marco Polo spoke: - Your chessboard, sire, is inlaid with two woods: ebony and maple. The piece is fixed on which your enlightened gaze was cut into a layer of the trunk that grew in a drought year
: see how the fibers are arranged? Here you can see a node just mentioned: a bud tried to negotiate a spring day early, but the frost of the night forced him to desist -. The Great Khan had not realized until then that the stranger knew speak fluently in his language, but this was not a surprise. - Here's a bigger pore: perhaps it was the nest of a larva, not of a worm, because as soon as born
would continue to dig, but on a caterpillar chewing the leaves and was the cause for the tree was chosen to be killed ... This margin was incised with a chisel because dall'ebanista
's accession to the square near which is thicker than ...
The amount of things you could read in a piece of smooth wood and empty overwhelmed Kublai; Polo had already come to speak of the woods of ebony, rafts of logs to descend the rivers, harbors
, women at the windows. .. ' "

From Marco Polo in Calvino:

" So in the last few years, I alternate my exercises on the structure of the narrative description of exercises, now much neglected art. As a scholar who has taken to task "Describe a giraffe" or "Describe the night sky" [describe a shoe], I have applied to fill a notebook with these exercises and I did on a book. The book is called Palomar and is out now in English translation: it is a sort of diary on minimal knowledge of problems, ways to establish relationships with the world, rewards and frustrations in the use of silence and speech. "

Lesson III - Accuracy pp.81 - 83

END